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										 |  |  |  | // Status=review | 
					
						
							|  |  |  |  | .Main Window: | 
					
						
							|  |  |  |  | - Select *JT9+JT65* on the *Mode* menu. | 
					
						
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										 |  |  |  | - Toggle the *Tx mode* button to read *Tx JT65 #*, and set the Tx and Rx | 
					
						
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										 |  |  |  | frequencies to 1718 Hz. | 
					
						
							|  |  |  |  | - Double-click on *Erase* to clear both text windows. | 
					
						
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 | 
					
						
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										 |  |  |  | .Wide Graph Settings: | 
					
						
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 | 
					
						
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										 |  |  |  | - *Bins/Pixel* = 7 | 
					
						
							|  |  |  |  | - *JT65 .... JT9* = 2500 | 
					
						
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										 |  |  |  | - Adjust the width of the Wide Graph window so that the upper | 
					
						
							|  |  |  |  | frequency limit is approximately 4000 Hz. | 
					
						
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 | 
					
						
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										 |  |  |  | .Open a Wave File: | 
					
						
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 | 
					
						
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										 |  |  |  | - Select *File | Open* and navigate to +...\save\samples\JT9+JT65\130610_2343.wav+.   | 
					
						
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										 |  |  |  | The waterfall should look something like this: | 
					
						
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 | 
					
						
							|  |  |  |  | //.130610_2343.wav Decode | 
					
						
							|  |  |  |  | [[X14]] | 
					
						
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										 |  |  |  | image::130610_2343-wav-80.png[align="left",alt="Wide Graph Decode 130610_2343"] | 
					
						
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 | 
					
						
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										 |  |  |  | The position of the blue marker on the waterfall scale is | 
					
						
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										 |  |  |  | set by the spinner control *JT65 nnnn JT9*, where nnnn is an audio | 
					
						
							|  |  |  |  | frequency in Hz. In *JT9+JT65* mode the program will automatically | 
					
						
							|  |  |  |  | decode JT9 signals only above this frequency. JT65 signals will be | 
					
						
							|  |  |  |  | decoded over the full displayed frequency range. | 
					
						
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 | 
					
						
							|  |  |  |  | JT9 signals appear in the *Cumulative* spectrum as nearly rectangular | 
					
						
							|  |  |  |  | shapes about 16 Hz wide.  They have no clearly visible sync tone like | 
					
						
							|  |  |  |  | the one at the low-frequency edge of all JT65 signals.  By convention | 
					
						
							|  |  |  |  | the nominal frequency of both JT9 and JT65 signals is taken to be that | 
					
						
							|  |  |  |  | of the lowest tone, at the left edge of its spectrum. | 
					
						
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 | 
					
						
							|  |  |  |  | This sample file contains 17 decodable signals — nine in JT65 mode | 
					
						
							|  |  |  |  | (flagged with the character # in the decoded text windows), and eight | 
					
						
							|  |  |  |  | in JT9 mode (flagged with @).  On multi-core computers the decoders | 
					
						
							|  |  |  |  | for JT9 and JT65 modes run simultaneously, so their results will be | 
					
						
							|  |  |  |  | interspersed.  The *Band Activity* window contains all decodes (you | 
					
						
							|  |  |  |  | might need to scroll back in the window to see some of them).  A | 
					
						
							|  |  |  |  | signal at the frequency specified by the green marker is given | 
					
						
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										 |  |  |  | decoding priority, and its message is displayed also in the *Rx | 
					
						
							|  |  |  |  | Frequency* window. | 
					
						
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										 |  |  |  | 
 | 
					
						
							|  |  |  |  | [[FigDecodes]] | 
					
						
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										 |  |  |  | image::decodes.png[align="center"] | 
					
						
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										 |  |  |  | 
 | 
					
						
							|  |  |  |  | - Confirm that mouse-click behavior is similar to that described | 
					
						
							|  |  |  |  | earlier, in <<TUT_EX1,Example 1>>.  _WSJT-X_ automatically determines | 
					
						
							|  |  |  |  | the mode of each JT9 or JT65 message. | 
					
						
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										 |  |  |  | + | 
					
						
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 | 
					
						
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										 |  |  |  | TIP: When you double-click on a signal in the waterfall it will be | 
					
						
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										 |  |  |  | properly decoded even if on the "`wrong`" side of the *JT65 nnnn JT9* | 
					
						
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										 |  |  |  | marker.  The Tx mode automatically switches to that of the decoded | 
					
						
							|  |  |  |  | signal and the Rx and Tx frequency markers on the waterfall scale | 
					
						
							|  |  |  |  | resize themselves accordingly. When selecting a JT65 signal, click on | 
					
						
							|  |  |  |  | the sync tone at its left edge. | 
					
						
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 | 
					
						
							|  |  |  |  | - Double-click on the waterfall near 815 Hz: a JT65 message | 
					
						
							|  |  |  |  | originating from W7VP will be decoded and appear in the *Rx Frequency* | 
					
						
							|  |  |  |  | window.  Between the *UTC* and *Freq* columns on the decoded text line | 
					
						
							|  |  |  |  | you will find *dB*, the measured signal-to-noise ratio, and *DT*, the | 
					
						
							|  |  |  |  | signal's time offset in seconds relative to your computer clock. | 
					
						
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										 |  |  |  | [width="80%",align="center",cols="^10,2*^8,2*^10,54",options="header"] | 
					
						
							|  |  |  |  | |=== | 
					
						
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										 |  |  |  | |UTC|dB|DT|Freq|Mode|Message | 
					
						
							|  |  |  |  | |+2343+|+-7+|+0.3+|+815+|+#+|+KK4DSD W7VP -16+ | 
					
						
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										 |  |  |  | |=== | 
					
						
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										 |  |  |  | 
 | 
					
						
							|  |  |  |  | - Double-click on the waterfall at 3196 Hz.  The program will decode a | 
					
						
							|  |  |  |  | JT9 message from IZ0MIT: | 
					
						
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 | 
					
						
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										 |  |  |  | [width="80%",align="center",cols="^10,2*^8,2*^10,54",options="header"] | 
					
						
							|  |  |  |  | |=== | 
					
						
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										 |  |  |  | |UTC|dB|DT|Freq|Mode|Message | 
					
						
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										 |  |  |  | |+2343+|+-8+|+0.3+|+3196+|+@+|+WB8QPG IZ0MIT -11+ | 
					
						
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										 |  |  |  | |=== | 
					
						
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										 |  |  |  | 
 | 
					
						
							|  |  |  |  | - Scroll back in the *Band Activity* window and double-click on the | 
					
						
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										 |  |  |  | message `CQ DL7ACA JO40`. The program will set *Tx mode* to JT65 and | 
					
						
							|  |  |  |  | the Rx frequency to that of DL7ACA, 975 Hz.  If you hold down the | 
					
						
							|  |  |  |  | *Ctrl* key, both Rx and Tx frequencies will be moved.  If you had | 
					
						
							|  |  |  |  | checked *Double-click on call sets Tx Enable* on the *Setup* menu, the | 
					
						
							|  |  |  |  | program would configure itself to begin a transmission and start a QSO | 
					
						
							|  |  |  |  | with DL7ACA. | 
					
						
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 | 
					
						
							|  |  |  |  | - Hold *Ctrl* down and double-click on the decoded JT65 message `CQ | 
					
						
							|  |  |  |  | TA4A KM37`.  The program will set Tx mode to JT9 and the Rx and Tx | 
					
						
							|  |  |  |  | frequencies to 3567 Hz.  The program is now configured properly for a | 
					
						
							|  |  |  |  | JT9 QSO with TA4A. | 
					
						
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										 |  |  |  | 
 | 
					
						
							|  |  |  |  | .Reopen the First Sample File: | 
					
						
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										 |  |  |  | - Select *File | Open* and navigate to `...\save\samples\130418_1742.wav`. | 
					
						
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 | 
					
						
							|  |  |  |  | Taking full advantage of the wide-band, dual-mode capability of | 
					
						
							|  |  |  |  | _WSJT-X_ requires a receiver bandwidth of at least 4 kHz.  These | 
					
						
							|  |  |  |  | data were recorded with a much narrower Rx bandwidth, roughly 200 to | 
					
						
							|  |  |  |  | 2400 Hz. If you have no Rx filter wider than about 2.7 kHz, you will | 
					
						
							|  |  |  |  | be using data like this. For best viewing, adjust *Bins/Pixel* and the | 
					
						
							|  |  |  |  | width of the Wide Graph so that only the active part of the spectrum | 
					
						
							|  |  |  |  | shows, say 200 to 2400 Hz.  Re-open the example file after any change of | 
					
						
							|  |  |  |  | *Bins/Pixel* or Wide Graph width, to refresh the waterfall. | 
					
						
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 | 
					
						
							|  |  |  |  | The signals in this file are all JT9 signals.  To decode them | 
					
						
							|  |  |  |  | automatically in *JT9+JT65* mode you’ll need to move the *JT65 nnnn JT9* | 
					
						
							|  |  |  |  | delimiter down to 1000 Hz or less. | 
					
						
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										 |  |  |  | .Waterfall Controls | 
					
						
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 | 
					
						
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										 |  |  |  | Now is a good time to experiment with the *Start* control and the | 
					
						
							|  |  |  |  | sliders controlling gain and zero-point of the waterfall and spectrum | 
					
						
							|  |  |  |  | plots.  *Start* determines the frequency displayed at the left side of | 
					
						
							|  |  |  |  | the waterfall scale.  Sliders set the baseline level and gain for the | 
					
						
							|  |  |  |  | waterfall and the several types of spectra.  Good starting values | 
					
						
							|  |  |  |  | should be close to mid-scale.  You might want to uncheck *Flatten* | 
					
						
							|  |  |  |  | when adjusting the sliders.  Re-open the wave file after each change, | 
					
						
							|  |  |  |  | to see the new results. |