2015-05-27 23:50:08 +00:00
										 
									 
								 
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								// Status=review
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								.Main Window:
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								- Select *JT9+JT65* on the *Mode* menu.
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								- Toggle the *Tx mode* button to read *Tx JT65*, and set the Tx and Rx
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								frequencies to 1718 Hz.
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								- Double-click on *Erase* to clear both text windows.
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											2015-06-02 23:55:17 +00:00
										 
									 
								 
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								.Wide Graph Settings:
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											2016-10-14 15:12:36 +00:00
										 
									 
								 
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								- *Bins/Pixel* = 7
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								- *JT65 .... JT9* = 2500
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											2015-06-02 23:55:17 +00:00
										 
									 
								 
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								- Adjust the width of the Wide Graph window so that the upper
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								frequency limit is approximately 4000 Hz.
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											2015-05-27 23:50:08 +00:00
										 
									 
								 
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								.Open a Wave File:
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											2016-10-27 16:47:39 +00:00
										 
									 
								 
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								- Select *File | Open* and navigate to +...\save\samples\JT9+JT65\130610_2343.wav+.  
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								The waterfall should look something like this:
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								//.130610_2343.wav Decode
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								[[X14]]
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											2015-11-21 02:34:20 +00:00
										 
									 
								 
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								image::130610_2343-wav-80.png[align="left",alt="Wide Graph Decode 130610_2343"]
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											2016-10-14 20:36:34 +00:00
										 
									 
								 
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								The position of the blue marker on the waterfall scale is
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								set by the spinner control *JT65 nnnn JT9*, where nnnn is an audio
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								frequency in Hz. In *JT9+JT65* mode the program will automatically
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								decode JT9 signals only above this frequency. JT65 signals will be
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								decoded over the full displayed frequency range.
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								JT9 signals appear in the *Cumulative* spectrum as nearly rectangular
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								shapes about 16 Hz wide.  They have no clearly visible sync tone like
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								the one at the low-frequency edge of all JT65 signals.  By convention
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								the nominal frequency of both JT9 and JT65 signals is taken to be that
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								of the lowest tone, at the left edge of its spectrum.
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								This sample file contains 17 decodable signals — nine in JT65 mode
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								(flagged with the character # in the decoded text windows), and eight
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								in JT9 mode (flagged with @).  On multi-core computers the decoders
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								for JT9 and JT65 modes run simultaneously, so their results will be
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								interspersed.  The *Band Activity* window contains all decodes (you
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								might need to scroll back in the window to see some of them).  A
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								signal at the frequency specified by the green marker is given
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											2015-11-16 20:13:47 +00:00
										 
									 
								 
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								decoding priority, and its message is displayed also in the *Rx
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								Frequency* window.
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								[[FigDecodes]]
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											2015-11-21 02:34:20 +00:00
										 
									 
								 
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								image::decodes.png[align="center"]
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								- Confirm that mouse-click behavior is similar to that described
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								earlier, in <<TUT_EX1,Example 1>>.  _WSJT-X_ automatically determines
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								the mode of each JT9 or JT65 message.
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											2016-10-26 15:36:22 +00:00
										 
									 
								 
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								TIP: When you double-click on a signal in the waterfall it will be
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								properly decoded even if on the "`wrong`" side of the *JT65 nnnn JT9*
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								marker.  The Tx mode automatically switches to that of the decoded
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								signal and the Rx and Tx frequency markers on the waterfall scale
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								resize themselves accordingly. When selecting a JT65 signal, click on
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								the sync tone at its left edge.
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								- Double-click on the waterfall near 815 Hz: a JT65 message
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								originating from W7VP will be decoded and appear in the *Rx Frequency*
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								window.  Between the *UTC* and *Freq* columns on the decoded text line
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								you will find *dB*, the measured signal-to-noise ratio, and *DT*, the
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								signal's time offset in seconds relative to your computer clock.
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								[width="80%",align="center",cols="^10,2*^8,2*^10,54",options="header"]
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								|===
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								|UTC|dB|DT|Freq|Mode|Message
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								|+2343+|+-7+|+0.3+|+815+|+#+|+KK4DSD W7VP -16+
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								|===
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								- Double-click on the waterfall at 3196 Hz.  The program will decode a
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								JT9 message from IZ0MIT:
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								[width="80%",align="center",cols="^10,2*^8,2*^10,54",options="header"]
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								|===
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								|UTC|dB|DT|Freq|Mode|Message
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								|+2343+|+-7+|+0.3+|+3196+|+@+|+WB8QPG IZ0MIT -11+
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								|===
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								- Scroll back in the *Band Activity* window and double-click on the
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								message `CQ DL7ACA JO40`. The program will set *Tx mode* to JT65 and Tx
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								and Rx frequencies to that of DL7ACA, 975 Hz.  If you had checked
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								*Double-click on call sets Tx Enable* on the *Setup* menu, the program
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								would configure itself to start a QSO with DL7ACA.
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											2016-11-04 18:15:14 +00:00
										 
									 
								 
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								- Double-click on the decoded JT65 message `CQ TA4A KM37`.  The program
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								will set Tx mode to JT9 and the Rx and Tx frequencies to 3567 Hz.  The
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								program is now configured properly for a JT9 QSO with TA4A.
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								.Reopen the First Sample File:
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								- Select *File | Open* and navigate to `...\save\samples\130418_1742.wav`.
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								Taking full advantage of the wide-band, dual-mode capability of
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								_WSJT-X_ requires a receiver bandwidth of at least 4 kHz.  These
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								data were recorded with a much narrower Rx bandwidth, roughly 200 to
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								2400 Hz. If you have no Rx filter wider than about 2.7 kHz, you will
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								be using data like this. For best viewing, adjust *Bins/Pixel* and the
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								width of the Wide Graph so that only the active part of the spectrum
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								shows, say 200 to 2400 Hz.  Re-open the example file after any change of
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								*Bins/Pixel* or Wide Graph width, to refresh the waterfall.
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								The signals in this file are all JT9 signals.  To decode them
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								automatically in *JT9+JT65* mode you’ll need to move the *JT65 nnnn JT9*
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								delimiter down to 1000 Hz or less.
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								.Waterfall Controls
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								Now is a good time to experiment with the *Start* control and the
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								sliders controlling gain and zero-point of the waterfall and spectrum
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								plots.  *Start* determines the frequency displayed at the left side of
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								the waterfall scale.  Sliders set the baseline level and gain for the
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								waterfall and the several types of spectra.  Good starting values
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								should be close to mid-scale.  You might want to uncheck *Flatten*
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								when adjusting the sliders.  Re-open the wave file after each change,
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								to see the new results.
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											2015-05-27 23:50:08 +00:00
										 
									 
								 
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								IMPORTANT: When finished with this Tutorial, don’t forget to re-enter
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								your own callsign as *My Call* on the *Settings | General* tab.
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